Review- Mankell, “Faceless Killers”

Henning Mankell, “Faceless Killers” (1991) (translated from the Swedish by Steven Murray) – Well, SPOILER ALERT, the killers are indeed faceless. Ciphers, flotsam from the fall of the Iron Curtain washed up on Sweden’s all-too-welcoming shores. I understand Mankell was a leftie — was on the Gaza flotilla that got shot up by the IDF, for instance — but this book seems pretty critical of Sweden’s lax border policies. Maybe that’s just an indication of how well Mankell gets into the mindspace of his cop protagonist, Kurt Wallander, in this first of several Wallander mysteries.

But there’s an extent to which everyone is faceless, here. Life in Sweden as depicted in this book (and, to my understanding, the burgeoning Scandinavian crime fiction scene) as social democratic purgatory, but without the dynamic element purgatory usually has. Everyone is bored and boring and kind of sad. The only thing that distinguishes Wallander is that he likes opera- that’s his only character trait that distinguishes him from the “lonely divorced murder police” archetype (and come to think of it, I don’t think he’s the only one of those with a yen for classical music). Only cruel death and the threat of sectional (immigrant vs native) violence seems to wake anyone up from their daily rounds of unsatisfying, unpunished vices (gambling, philandering) and jobs.

In keeping with the overall tone, this book is deeply procedural except in a few flashes of action. There’s a good half-dozen cops involved in the investigation but they’re pretty much all indistinguishable except for Rydberg (who’s old) and Wallander (who’s the protagonist). That seems accurate and as someone who likes overstuffed fictional universes I relate to the impulse, but if I was supposed to think of them as anything other than Scandinavian names, I failed that test.

Maybe it’s just politics but I was more interested in the B case: an immigrant ambushed and killed in revenge for the A case, a brutal murder of an old farm couple where signs point to foreign killers. I don’t think it’s politics, though- I think the B case was better structured. The A case only comes together due to nearly-blind chance near the end of the book, almost a deus ex machina. There’s much more satisfying detecting in the B case. In all, this was a fast read, good not great, but I hear the Wallander mysteries get better as they go on. I’ll pick up the next one if I see it on a free shelf, like this one. ***

Review- Mankell, “Faceless Killers”

Review- Bendroth, “The Last Puritans”

Margaret Bendroth, “The Last Puritans: Mainline Protestantism and the Power of the Past” (2015) – An oddly fascinating book about a determinedly staid organization, “The Last Puritans” traces how the Congregationalist church managed the transition from being the orthodox state church of Massachusetts to one of the most liberal — critics would argue pallid and shapeless — denominations out there today. The key pivot in the story according to Bendroth was the adoption of the Pilgrim/Puritan past (with a good deal of handwaving the differences between the two away).

At the beginning of the nineteenth century, the Congregationalists were profoundly unprepared for the competitive marketplace in Protestant denominations. Two centuries as an officially state-supported church will do that. According to Bendroth, most of the Congregationalist churches in New England didn’t even think of themselves in those terms- they were just the church, or the First Church, everyone else had to give themselves a label. This didn’t fly all that well out west, where competition from Methodists, Presbyterians, and assorted evangelicals was fierce.

The Congregationalists came to identify themselves with the Puritans at around the same time the US, along with Europe, was discovering history as a field like we know it today, as the nineteenth century started to wane. This gave them a sense of shared identity that allowed them to have a kind of “brand identity,” while also consolidating the denomination enough to allow for changes (like becoming somewhat more bureaucratic instead of each individual church running its own show). This didn’t catapult the Congregationalist to dominance, but did allow them a niche- a thoughtful, non-sectarian, middle-class, town-based Protestantism.

There’s the past, as in origins, and history, as in processes of change. The Puritans provided both to the Congregationalists at different times. They could stand as an ancestral claim to virtues (back then, believe it or not, they tried to claim the Puritans as symbols of tolerance) and a temporal priority. But they also provided a sense of a project enfolding in time, one that wouldn’t always stay the same. Bendroth traces how the Congregationalists negotiated with the past to adapt such non-Puritan beliefs as the perfectability of society and Protestant ecumenicalism, on the idea that it was their task to carry on the example of being a beacon of ideal Protestant practice, etc. Alas, the Puritans understood themselves to be standing at the end times, not as an origin point to be worshipped filiopietistically or to be adapted and built past. But they weren’t around to speak their piece anymore. That’s what happens to anyone, I suppose, whose project outlived them.

Anyway, a fair amount of this book is taken up with depictions of dry theological dispute but Bendroth does her best to keep it concise. Without sugarcoating the inconsistencies involved, she also stands up some for mainline Protestantism, those once-dominant but now increasingly sclerotic Protestant groupings that didn’t go evangelical/fundamentalist. I remember as a Catholic boy in late-twentieth century Massachusetts knowing about three kinds of Protestant: the holy rollers, the rich WASPs, and whoever was going to those nice white steeple churches near every town green- I never knew who they were supposed to be. Bendroth argues that rather than a decline, the Congregationalists’ story can be understood as a fulfillment- not a complete or an easy one, but as developments self-consistent with four centuries of church history. Along with being a story about a denomination and about the popular uses of history, this is a reminder of the tectonic historical forces that shape even something as seemingly simple and benign as the nice UCC folks who show up at peace rallies. ****’

Review- Bendroth, “The Last Puritans”

Review- Butler, “Xenogenesis”

Octavia Butler, “Xenogenesis” trilogy (1987-1989) – The premise of these books is a funny one — people have to have brain-sex with alien tentacle monsters to repopulate the earth after a nuclear war — but is played completely straight, with stakes of species-level life, death, and love. The novels “Dawn,” “Adulthood Rites,” and “Imago” explore a wholly alien society, it’s mixture with humanity, and questions of what life, humanity, and family are. Heavy stuff!

First, the aliens, known as the Oankali. They’re basically gene-stealing aliens but (notionally) benevolent. They go from world to world swapping genes with the species they find, modifying both themselves and the others to adapt to whatever circumstances they find. They do this with humanity after the species is almost destroyed in a nuclear war. Humanity’s choice is either accept the Oankali trade or die as a species.

The whole Oankali frame of reference, from its concept of time to the basic value it places on life qua life, is different from humanity. They think in centuries, are obsessed with genes (which they can read like text), and have three sexes- male, female, and ooloi. The ooloi sort of get between the other two, stick them with pleasure-inducing tentacles, and then mix up the baby’s genes before implanting it in the female.

The aliens fix earth and put people back onto it, but at a price. People can now only breed if they do it the Oankali way, complete with ooloi help. As it turns out, ooloi sex is deeply fulfilling, but it also seems wrong and vaguely gay to most humans, so they refuse to go along with it, instead running off to the woods to lead unhappy, sterile lives. Those who stay with the Oankali settlements live complicated but fruitful and long (the Oankali can easily fix most human diseases) lives.

I get that this is meant to be a tale of adaptation. The first novel in the trilogy, “Dawn,” is told from the perspective of Lilith, the first human to agree to be part of the Oankali program. She’s deeply conflicted about the whole thing, but agrees with the Oankali that the continuation of life — and the adaptations that entail — are more important than species pride. The next, “Adulthood Rites,” is told from the perspective of one of her “construct” — part human, but remixed by an ooloi — children, and the third, “Imago,” from another of her kids, the first ooloi born of a human woman. This is about new forms of life, life dedicated to the perpetuation and adaptation not just of themselves but of life in general. There’s a reason these books are a touchstone of the queer (and generally more diverse) turn in scifi.

I don’t see the Oankali as all that benevolent; moreover, I’m not convinced Butler did, either. Part of this, I admit, resulted from confusion on my part. I thought the sterility of non-Oankali-aligned humans at the end of “Dawn” was a side effect of the war or something. But then I realized midway through “Adulthood Rites” that it wasn’t- that the Oankali sterilized the other humans. That’s kind of fucked up! Akin, Lilith’s child, convinces the Oankali to let non-sterilized humans settle Mars, but still.

The excuse is our self-destructiveness. We have the capital-c Contradiction of intelligence and hierarchical behavior that, the Oankali insist, will doom is every time until they breed it out of us. But the Oankali clearly have a hierarchy too, which begins with Oankali>Human! Sure, they say they love us — they think we’re spicy and dangerous, genetically interesting — but the British said the same stuff about the people of India. Moreover, internally, the Oankali hierarchy is much flatter and fairer than most of ours, but it exists- older and more talented people have more power. Someone gets chosen for important tasks. That’s hierarchy. It’s inescapable- just like the other two principles of organization, exchange and communalism, are inescapable. Everything has a little of all three, admit it or not.

Lilith, to her and Butler’s credit, admits it, admits the Oankali used her without her consent, even as she falls genuinely in love with an ooloi and adapts to her hybrid society. She’s deeply ambivalent. I think this is a story at least as much about race, integration, and imperialism as it is about gender. Octavia Butler was the only prominent black woman scifi writer in her time. She was widely feted, but she tackled the contradictions and confusion of pluralism in her own life.

And she never came up with easy answers, which is possibly her greatest strength as a writer. The Oankali are right- people are self-destructive. Just look at us! Though it’s worth nothing the Oankali endgame for Earth is the kind of thing that Elon Musk would come up with, and for which we’d all mock him. The narrow-minded prejudice that drives much of human resistance to the Oankali is wrong, but from many of the resisters, it’s about living according to their own choices, not just space-racism. It’s complicated- much like the Oankali-Human reproduction system, which involves five beings and could probably use a diagram. And like it, it holds out the promise of radically new forms of life, endless possibilities.

I don’t think the reading that identifies uncomplicatedly with the Oankali is wrong. I think Butler’s strength is that, aside from the wantonly destructive, she allows us to identify with multiple radically different perspectives. To me, there are no good choices in this series — I’m not crazy about bending the knee to those who pretend to know what’s good for me, no matter where they’re from or what they look like — but there’s an array of stunningly-imagined possibilities. ****’

Review- Butler, “Xenogenesis”

Review- Ginzburg, “The Night Battles”

Carlo Ginzburg, “The Night Battles” (1966) (translated from the Italian by Ann and John Tedeschi) – Carlo Ginzburg was something of a visionary, which can be both a strength and a liability for a historian. Ginzburg reliably shot well past of the attested historical record in his books. There’s little evidence for his overarching theses, presented here and in undergrad-historiography favorite “The Cheese and the Worms,” about early-modern popular thought. His major claim in “The Night Battles,” that major strains of early modern witchcraft are the continuation of ancient Central European paganism, has been torn apart by the vast majority of other practitioners in the field.

But Ginzburg remains a compelling figure nevertheless. He was the great pioneer of “microhistory,” taking the social history turn of the mid-twentieth century into the nitty-gritty of early modern Italian life and convincing the Vatican to release the records of the Inquisition. These records provided grist for Ginzburg’s mill; every oddball who thought he talked to God, or figured out that the universe was actually like a wormy cheese, or who did good magic to fight the evil magic of witches at night, wound up in front of the Inquisitors at some point, it seems. In this case he follows appearances of the “benandante,” roughly the “well-farers,” a group of men and women in and near Friuli, Italy, who claimed that they engaged in nocturnal battles with witches to guard their crops. These took the form of astral projection and fighting with various vegetables (shades of the second Super Mario!). The Inquisition was looking for Lutherans to root out, or at least straightforward diabolic witches- they didn’t know what to make of the benandante.

Similar beliefs turn up in Germany and Switzerland, or similar-ish. That’s the rub- how many incidents do there need to be before you see a trend? And if you see this trend, to what do you attribute it? Ginzburg takes a small number of cases of similar (but far from identical) claims made by a few Italians and Germans as evidence for the continuation of a Central European pagan tradition. Certainly, this stuff does sound like fertility ritual. But there’s not a ton of evidence that it was organized practice handed down the generations, certainly not centuries. It seems a lot simpler to think that these were visions or self-made rituals. But the paganism thesis is certainly evocative, enough that it’s made its way into pop-cultural understandings of European paganism. And how many of Ginzburg’s critics can claim to have had that kind of influence? ****

Review- Ginzburg, “The Night Battles”

Review- O’Hara, “Appointment in Samarra”

John O’Hara, “Appointment in Samarra” (1934) – Time to come clean- I thought this would be about American skullduggery in Samara, Russia, maybe around the Russian Civil War, or else Samarra, Iraq, maybe as a prelude to our oil politics there. I saw it on that Modern Library 100 best novels of the twentieth century list — pretty high up too as I recall — and my mind just… made the leap!

Well, it wasn’t about that. It’s about Julian English, who’s basically Gatsby divided by Babbitt, living in Pennsylvania and screwing up his life during the jazz age. It’s fine, for what it is, but I can’t help but notice how much more interesting it would be if “Ju” English were an agent of the nascent American security state in 1919 Russia or Iraq…

Anyway, Julian seems to have it all- wife who only resents him some of the time, successful car dealership, didn’t take too bad of a bath in the stock market crash, firmly ensconced in the boozy upper classes of his small Pennsylvania city. But dang it, he’s just sick of it all, so on a whim he starts fucking stuff up- throwing drinks in faces, nailing mob molls, getting in fights with one-armed vets. He’s looking for a way out, and he finds it.

Julian’s a cipher. The side characters, like his wife and his bootlegger pal, are more interesting and O’Hara does an ok job depicting them. But honestly, what was so interesting about jazz age pathos when the whole world — and the rest of the country — was on fire? **

Review- O’Hara, “Appointment in Samarra”

Review- Slotkin, “Gunfighter Nation”

Richard Slotkin, “Gunfighter Nation: The Myth of the Frontier in Twentieth Century America” (1992) – :extremely Jim Morrison voice: “This is the end…” a good seventeen-hundred pages later and we’re at the end of Slotkin’s trilogy on frontier mythology. Bringing it into the twentieth century, I’m surprised he doesn’t refer to the Doors, he refers to so many other things… maybe he did and I don’t remember…

This book talks about a lot of westerns. A loooooot of westerns. It’s encyclopedic! Which doesn’t always make for the best read, truth be told. It makes some interesting points about counterinsurgency and frontier mythology, like how both sides of counterinsurgency — the notionally constructive “hearts and minds” angle and the bloody genocidal side — are prefigured in various kinds of western myths. Probably should’ve thrown that into my dissertation! Ah well.

Like the other installments in the series, this is thesis-heavy. It puts a lot of chips on the opposition between a “progressive” (think Teddy Roosevelt- a manically exterminationist idea of progress) and a “populist” vision of the frontier, playing itself out in dime novels, movies, and politics. I don’t think this is wrong but I do think he’s overly-schematic with it. Moreover, he’s too sanguine about the goodness of populist visions of the west- pretty much any vision of western settlement involves disinheriting the Native Americans, so… anyway, I fell behind with reviews so it’s been a while since I’ve read this one. I remember it having some interesting asides, but being really long. ****

Review- Slotkin, “Gunfighter Nation”

Review- Boyle, “East is East”

T.C. Boyle, “East is East” (1990) – Somewhere, and I don’t know where, I got the conviction in my head that there’s a good writer inside T.C. Boyle. The best I can figure it’s a combination of hope and approval of his choice to go with high-concept novel ideas instead of mulling on themes like divorce, being horny for the wrong people, the usual ideas that spur “literary fiction.” I read “The Inner Cycle” and it wasn’t great but it was an interesting premise, doing a novel about Kinsey and his group.

Truth be told, “East is East” doesn’t even have an especially interesting premise. A Japanese sailor named Hiro (get it?! I wonder if Boyle and Neal Stephenson read each other) jumps ship on a real rural, real purty island off of the coast of Georgia inhabited by all kinds of bucolic yokels, and also a writer’s colony. I’ve been told this a novel about stereotypes. That’s basically right- whatever there is in terms of Hiro or the other characters reacting to others based on stereotypes, the characters themselves are also flat cardboard cutouts- the honorable idealistic young Japanese, backbiting pretentious writers, assorted rustics. Other than the rustics it’s not like the characterizations are especially damning. They’re just boring. The writer stuff especially was disappointing- the biggest, easiest target for an up-and-comer (at the time) like Boyle, and he just whiffs it. I just finished the book last night and I can barely remember it.

Am I alone in detecting a certain strand of late-80s/early-90s literary writing where whimsicality in prose and high-concept, sometimes genre situations covers up for a whole not of nothing happening to flat characters? Walker Percy gets close to that in “The Thanatos Syndrome.” You’ve got Tom Robbins. Tom Wolfe- “East is East” was compared to “Bonfire of the Vanities,” which I also despised. Ishmael Reed’s eighties novels are definitely a lot flatter than the rest of his work. I feel like there’s others. The End of History era wasn’t great for literature, either, it seems. It all seems like setup for David Foster Wallace to come along with his GRE words and vast tragic self-importance to identify himself with the umpteenth version of “the new sincerity…” Anyway. This was bad. Don’t bother with it. I might continue my quest to see if there’s a good T.C. Boyle book but at this point more to test my hypothesis on high-middlebrow flatness in the late twentieth century. *

Review- Boyle, “East is East”